If you listen to fair music at soft volumes in a small room, you can probably get away with an 18 to 30 watt per channel tube amplifier. But that’s not the case with the Evokes. For the very few products used in its speakers that Dynaudio does not manufacture in-house, such as the capacitors and resistors used in its crossovers, for example, this Danish company is so large that it derives enormous benefits from the economies of scale. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. After years of experience of reviewing loudspeakers and being somewhat familiar with Dynaudio speakers in particular, I was expecting the stand-out feature of the Dynaudio Evoke 50s would be their midrange sound. The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). As for the magnet itself, that’s one of the major differences between it and the Esotar3. Pedants with sharp eyes might point out that the trace is actually a little below the –3dB envelope between 42Hz and 52Hz, but the magnitude of the variation and the measurement variabilities at these frequencies mean that we can safely ignore this to arrive at the ‘overall’ response stated. The pair I tested were finished as Walnut Wood. The Dynaudio Evoke 20. That’s how Doppler distortion affects loudspeakers, and it is present in ALL two-way loudspeakers. You will receive a verification email shortly. Whether it’s a home theater, music, great recordings, mediocre recordings, rock-and-roll, and jazz, etc., it handles it all pretty well. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. They al… Testseek.co.uk have collected 11 expert reviews of the Dynaudio Evoke 20 bookshelf speaker and the average rating is 98%. Evoke 30’s twin 14cm Esotec+ mid/bass drivers are made from MSP (Magnesium Silicate Polymer), a material we’ve been using for our woofer diaphragms since Dynaudio started back in 1977. The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. Others gave them rave after rave. Yet, at the same time, they’re transparent. But it’s not just that the Dynaudio Evoke 50s have a big sound… it’s that they sound fabulous, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. I love that connectivity and get the sense that Dynaudio really cares about their workmanship as I hefted the speakers in place. You likely haven’t heard of it because all loudspeaker manufacturers prefer to keep very quiet about Doppler distortion because all of them sell speakers that suffer from it. It did a better job than most of the other compact speakers I’d had in the house, and I didn’t expect that. They’re not like Focal, KEF, Klipsch, or JBL. That strong V curve is not going to be for everybody. The Evoke 30 is one of Dynaudio's most popular speakers because it offers very high performance with a good amount of bass dynamics, but in a much smaller than average and very attractive form factor. IT may arguably be easier to build a cost-no-object speaker than a mid-range model. Plug them in, turn them up, and then get a friend round. As you can tell, I loved the sound of these speakers, and I think you will too. Whereas the Esotar3 tweeter is made from neodymium alloy—Nd2Fe14B—the Evoke 50 tweeter’s magnet is made from a less-powerful magnetic material made using strontium carbonate ferrite which Dynaudio calls ‘Cerotar.’. As you can see, each of the major horizontal divisions on the graph represents a 5dB change in level, so the graph shows the response of the Dynaudio Evoke 50 as extending from 35Hz to 22kHz ±3dB, which is an outstandingly good result, particularly in terms of bass extension, for a design that uses relatively small-diameter bass drivers and a relatively small-volume cabinet. Yet there’s just enough richness to the tone to give the sound body, some weight, some density. It’s a compact two-way, rear-ported, bass-reflex design. Dynaudio Confidence/Evoke series. © Read our Dynaudio evoke 30 review. But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. Even with the feet fitted the Dynaudio Evoke 50 isn’t exactly ‘rock solid’ stable, since it will overbalance if it is forcibly tipped more than 17 degrees to one side or the other. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. Every driver has been optimised in Dynaudio's state-of-the-art Jupiter measuring lab. Dynaudio's 25th-anniversary Special Twenty-Five ($5200/pair) was previewed by John Marks in his January 2003 The Fifth Element" column, with a very positive Follow-Up review from me in June 2005. Thank you for signing up to What Hi-Fi?. Customer Reviews (0) Dynaudio Evoke 30 Loudspeakers EVOKE 30 - Born in Jupiter. There’s going to be natural liveliness and even sharpness if the recording calls for it. True to the goal, it does a great job of getting out of the way of itself. On the top, we are going to have a 28mm coated soft dome tweeter. I guess that Dynaudio intends that the salespeople should leave the pucks in place whenever the speakers are not actually being demonstrated, and removed only for listening sessions. We have a set of five-way binding posts.eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_4',133,'0','0']));eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_5',133,'0','1'])); About the accessories, these speakers come with some standard black grills. Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. Dynaudio's Evoke 20 is a full-size stand-mounted speaker designed to excel in almost any size space. These days, there are fewer salespeople on showroom floors, and many customers (particularly children) feel the need to ‘poke’ drivers (particularly tweeters) when no-one’s looking, so with fewer salespeople to control out-of-control customers, it’s likely that increasing numbers of tweeters are being damaged. This is because all three-way speakers have a huge advantage over all two-way designs, which is that the bass notes can’t ‘muddy’ the midrange, either through compression effects or more significantly, though Doppler distortion effects. Best internet radios 2021: modern radios with streaming smarts, Best smart speakers 2021: the best voice assistant speakers, Best speakers 2021: budget to premium stereo speakers. This means that instead of hearing a 1,000Hz tone, we will actually hear 1,020Hz as the cone moves towards us and 1,980Hz when it’s moving away. And let’s imagine that that driver is producing a deep bass note at 20 cycles per second (i.e., 20Hz), so it’s moving back and forth 20 times per second. It can handle crescendos pretty well, which will be great news for people who love classical like me. It has that very balanced sound of Dynaudio in the past. When you listen to the Evoke 10, the sound does come across more like it’s limited to the plane of the loudspeakers themselves, which for me is fine. The advantage of a three-way loudspeaker design with its separate midrange driver should now be immediately obvious! The ability of the Dynaudio Evoke 50s to create not only a superb stereo image, but a complete soundstage, is second to none… and you don’t have to be in the sweet spot either. DYNAUDIO EVOKE 20 standmount speakers + Clean, smooth sound without being overly dry nor analytical; good midrange presence with room-shaking bass. You can walk around a room. With a powerful amplifier, the Evoke 10 shows what is possible in its small class. Most importantly is designed to get out of the way of itself, which leads me to its general performance. Optional Powered Sub: Add a Dynaudio powered subwoofer ( Sub 3 / Sub 6 - sold separately) for deeper, bigger bass response and a more immersive experience from your 2ch stereo or multichannel home theater Evoke system. Impedance vs. frequency is shown across three graphs, rather than just the usual single graph, due to the number of permutations permitted by the provision of, effectively, three completely different cabinet alignments, each one of which will affect the impedance (as you can see). But I was not prepared for the quality and expansiveness of the bass from the dual bass drivers, nor was I prepared for the performance from the new Cerotar tweeter, which was exceptionally good… so good that it was very easily encroaching on the Esotar3’s territory. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second dome enables better control of air pressure behind the fabric dome and because of this increased control, the company has been able to achieve an even-smoother frequency response from the tweeter. Here’s the bottom line, Dynaudio has always had one significant strength, and that is their versatility. David A Posting Freak. The Evoke 10 itself is a very straightforward design. They just unveiled this new warranty program to where they increase the warranty to eight years if you register the product through them. Please refresh the page and try again. There may be something else that you may prefer, especially if you want the sharpness of metal done or that kind of forward sound that you get from a lot of metal woofers. Of course midrange isn’t the sole domain of the human voice, and the midrange sound was also clearly superior when reproducing violin, guitar… essentially any instrument playing in the three octaves above middle C. Check any orchestral instrument frequency range chart and you’ll discover that there are a lot of them! I want these speakers a lot more than I thought I would. The graph shows the high-frequency response with the speaker grille off (black trace) and on (red trace). Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. They’re kind of in-between. Dynaudio’s new Evoke 50 loudspeakers sound ‘way bigger than they have any right to sound, given the relatively small size of the speaker enclosures, and that’s got to be great news for anyone with an average-sized room, or even a small room, who’s ever despaired about being able to buy speakers that would not dominate their décor. This speaker does not have that, meaning vocal sound very natural, live on implicant very honest. The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. In most cases it’s possible to completely repair a soft dome tweeter whose dome has been dented (the same is not true of hard-dome tweeters!) When it comes to setting these speakers up in your room, the good news is they’re straightforward to work with. England and Wales company registration number 2008885. Its powerful 7" mid/bass driver ensures it can flex its muscles when there’s heavy lifting to be done, while its 1.1" soft-dome tweeter takes care of the fine detail. The important thing is that you will find that the violin’s treble does not feel harsh, but the shape is precise and dense. The bottom-most notes are stringily tangible, and you’re never left wondering about pitch, even for the most briefly-struck keys. Hexis er taget direkte fra de nyeste Contour- og Confidence-serier og findes ikke i andre Dynaudio … Their treble, I would say, is inherently smooth sounding. It’s very versatile, very matter-of-fact, yet it’s like there’s no character to the sound. Now think about a bass/midrange driver that has to produce both bass and midrange sounds because the particular cabinet in which it’s fitted does not have a midrange driver. And, just in case you were wondering, you can safely play music while the pucks are attached… just don’t expect to hear any high frequencies! Sound: 9/10 Value: 9/10. Let’s talk about the dynamic output. And every finish has been painstakingly formulated and executed to reflect those on our most exclusive speakers. In other words, they’re balanced like all things should be. ‘Doppler distortion?’ some may ask, ‘What’s that?’ And well may you ask! The 40’s are getting high praise… One review I read of these speakers proclaimed them as the best bookshelf speaker Dynaudio has made. Verdict: Dynaudio Evoke 10. The cones of the bass drivers are made from Dynaudio’s famous single-piece thermoplastic cone (which Dynaudio calls MSP, for Magnesium Silicate Polymer) where the dustcap is moulded in one piece with the cone, and the roll surrounds are made from rubber, which is a much more durable material than the foam that’s often used for the purpose. It didn’t fool the dog though… but then no loudspeaker ever has! 07/16/2019 Dynaudio Evoke 10 & 30 Review Straightforwardness and professionalism without fuss have always been the hallmarks of Dynaudio loudspeakers. The LYD have older units more similar to the old Excite. Let’s talk about mid-range. Dynaudio has a fairly simplistic answer in its Owner’s Manual, which takes the form of this advice: ‘(Plugs) can be fitted to reduce the bass emphasis that may be apparent if the speakers are placed close to room boundaries. For now, let’s focus on one of their products, which is the Dynaudio Evoke 10.eval(ez_write_tag([[580,400],'hifireport_com-medrectangle-3','ezslot_11',132,'0','0'])); The Evoke 10 represents the entry into their latest lineup, the Evoke series. This gives Dynaudio unprecedented control over the entire manufacturing process—there are very, very few loudspeaker manufacturers in the world that make all the drivers that are used in their speakers. Dynaudio (Evoke) + ExpertPro 220. Evoke 30 (£2900) is … It’s not going to have this huge sound that you can listen to at a rock concert-like volumes. Inherently there’s slightly smooth sounding but are capable of delivering a little bit of lively top-end. So far, so good, but is there a downside? And as you can imagine, this features trickle-down tech from their higher-end models. Here’s a brief history of the brand. You can hear every detail in the music performance. The Evoke 10 has a very natural tone, especially for the price. Future Publishing Limited Quay House, The Ambury, They’ve been steadily improving that design through the years. There are richness and balance there. The Evoke range comprises two standmounts (Evoke 10 and 20), two floorstanders (Evoke 30 and 50) and a centre speaker (Evoke 25c). They tend to sound good with a wide variety of components, mostly solid-state. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. It’s interesting, but at this frequency the midrange driver has well and truly taken over delivering the sound, as you can see from the green trace. Dynaudio came to Bristol armed with two new speaker ranges in the Confidence and Evoke. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. There’s also some richness to the character that helps make for an engaging listening experience. $22,950. Sensitivity: 88 dB. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. The blue trace shows one bass driver’s response when the port is fully blocked, resulting in a sealed (infinite baffle) enclosure and you can see that at 60Hz, instead of rolling off, the response extends linearly downwards at around 12dB/octave, as theory would predict. “The drivers in the Evoke are the best to date. The Core have newer drive units and is closer to the performance of the Evoke, but slightly less resolution and lots of … The huge voice-coils (which, at 75mm in diameter, are one of the biggest in the business, particularly for a 185mm driver) are made from copper wire that’s wound around a Nomex former. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. I would have preferred a wood finish but at 20% off for an open box, I'm not $450 enthusiastic about the wood. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. Some Dynaudio port plugs can be split to provide optional levels of bass volume reduction. Please deactivate your ad blocker in order to see our subscription offer. And they’re very proud of this tweeter. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). If you need to place these speakers against a wall boundary, but you still value a quick and articulate base, all you have to do is take the supplied plug, put it in the port, and there you go. We’d put money on your pal asking where’s the rest of the speakers are. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. Generally, I would recommend not using the plugs unless you find the bass a bit ‘boomy’ and ‘one-note’ in which case I’d recommend blocking the ports completely… not just using a ‘half bung’. Evoke 20 (£1800) is the larger of the two Evoke standmounters. First, let me summarize the experiences that I’ve had with other Dynaudio products. That this is the case speaks volumes for not only the quality of Dynaudio’s drivers, but for the company’s quality control and testing procedures as well, because you can’t deliver this type of performance with ‘off the shelf’ drivers… they’re just not matched closely enough. The highest frequencies are beautifully extended, but not so extended that they become glassy, or bright. Speakers come in big brown cardboard boxes short on special opening experiences. This product is sold through many dealers, especially in North America, that offer up to sixty-day money-back guarantee trial periods. Like all new Evoke models, it features Dynaudio’s new 28mm Cerotar tweeter with the new Hexis inner dome. They’re very, very easy to listen to, even on less than perfect recordings. In all three-way designs, such as the Dynaudio Evoke 50, in the previous scenario the bass drivers will be producing the 20Hz tone, moving back and forth freely without having to deliver the 1,000Hz tone, and the midrange driver will be reproducing the 1,000Hz tone at exactly 1,000Hz, with no frequency variations at all. Product literature is easy to locate right beneath the top flaps making it easy to get started. Between warmth, that’s easy to listen to yet something that’s also very expressive. Let’s take a look at the back. It could be that this ‘puck’ is there to protect the tweeters during shipping—and it certainly does this very effectively—but I suspect the real reason it’s there is to protect the tweeters from damage while the speakers are on display in retail showrooms. As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. The Evoke 10 has a warm, comfortable to listen to the sound. It’s not going to have that sharp treble or the V curve that many people like with bright treble and massive bass. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. But for the best performance from the sweet spot, I found that they do best with 28-inch stands. And they’re very proud of this tweeter. Needless to say, all of the foregoing means that you need to remove the pucks… and indeed the words ‘Remove Before Use’ are moulded into the yellow plastic of the puck, but I dare say that if you have children—or grandchildren—you, too, may be able to put the pucks to good use, so don’t just discard them! As I have already pointed out, the front baffle of the Dynaudio Evoke 50’s cabinet is only 215mm across, which is relatively narrow (which is not only cosmetically desirable, but has the advantage of improving dispersion from all the drivers) so you will be intrigued to hear that the rear of the cabinet is only 185mm across, meaning that the cabinet tapers in width from front to back so that the side walls are not parallel, a trick that inhibits the production of standing waves inside the cabinet. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second do… There are several important take-aways from these graphs. When it comes to equipment matching, the good news is that they are effortless to work with, and they’re also very transparent. For example, when listening to a violin performance, the sound is bright and elegant, making the music more transparent and full of aura. It's considerably more petite than other high performance floor standing loudspeakers. We have tested the small compact as well as floorstanding models. Scroll down and see all reviews for Dynaudio Evoke 20 bookshelf speaker. The magnets are made from ferrite and ceramic. Dynaudio’s Evoke 50 loudspeakers returned an excellent set of results in Newport Test Labs’ acoustic test laboratory, and is notable for having a particularly-well-extended bass response. The bungs provided with the Evoke 50 are in two pieces, with an inner plug and an outer ring. Hifireport.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking hifireport.com to Amazon properties.Additionally, hifireport.com participates in various other affiliate programs, and we sometimes get a commission for purchases made through our links in this website. 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